William Randolph Hearst (from Wikipedia) Criticism Yellow journalism As Martin Lee and Norman Solomon noted in their 1990 book Unreliable Sources, Hearst "routinely invented sensational stories, faked interviews, ran phony pictures and distorted real events." This approach came to be known as yellow journalism, named after the The Yellow Kid, a character in the New York World's color comic strip Hogan's Alley. Hearst's use of yellow journalism techniques in his New York Journal to whip up popular support for U.S. military adventurism in Cuba, Puerto Rico and the Philippines in 1898 was also criticized in Upton Sinclair's 1919 book, The Brass Check: A Study of American Journalism. According to Sinclair, Hearst's newspaper employees were "willing by deliberate and shameful lies, made out of whole cloth, to stir nations to enmity and drive them to murderous war." Sinclair also asserted that in the early 20th century Hearst's newspapers lied "remorselessly about radicals," excluded "the word Socialist from their columns" and obeyed "a standing order in all Hearst offices that American Socialism shall never be mentioned favorably." In addition, Sinclair charged that Hearst's "Universal News Bureau" re-wrote the news of the London morning papers in the Hearst office in New York and then fraudulently sent it out to American afternoon newspapers under the by-lines of imaginary names of non-existent "Hearst correspondents" in London, Paris, Venice, Rome, Berlin, etc. Another critic, Ferdinand Lundberg, extended the criticism in Imperial Hearst (1936), charging that Hearst papers accepted payments from abroad to slant the news. After the war, a further critic, George Seldes, repeated the charges in Facts and Fascism (1947). SNAPSHOT | BIO | EARLY LIFE | PUBLISHING BUSINESS | EXPANSION INVOLVEMENT IN POLITICS | PERSONAL LIFE | MARION DAVIES CALIFORNIA PROPERTY | ST. DONAT’S CASTLE | THE FAMILY CLUB CRITICISM | IN FICTION | OTHER WORKS William Randolph Hearst in 1906